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===Word spaces=== |
===Word spaces=== |
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Several fonts with [[ASCII transcription]] expose a {{w|Ligature (writing)|ligature}} using the string <code>zz</code> to produce a glyph-sized space character, for cases where the author wants the text to be visually indented or separated. This is best rendered using the {{w|ideographic space}} (<span style="background: lightblue;"> |
Several fonts with [[ASCII transcription]] expose a {{w|Ligature (writing)|ligature}} using the string <code>zz</code> to produce a glyph-sized space character, for cases where the author wants the text to be visually indented or separated. This is best rendered using the {{w|ideographic space}} (<span style="background: lightblue;">{{idsp}}</span>) instead. This is especially important for people who use {{w|screen readers}}, which will read "zz" out loud rather than silently skipping over it. |
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An alternative may be typing a double space, which is even more common in fonts to get a word-sized space. However, this can cause problems on websites, because HTML condenses whitespace. |
An alternative may be typing a double space, which is even more common in fonts to get a word-sized space. However, this can cause problems on websites, because HTML condenses whitespace. |
Revision as of 13:30, 8 March 2024
Part of a series on |
Features |
Usage |
sitelen pona (sitelen-pona) is a logographic writing system for Toki Pona designed by Sonja Lang, the creator of the language. The system is described in the book Toki Pona: The Language of Good,[1] alongside sitelen sitelen. As a logography, each word is written as a symbol. Glyphs are typically written from left to right, in horizontal lines from top to bottom.
sitelen pona is the most used original writing system in Toki Pona, and the second-most after sitelen Lasina (the Latin script).[2] Learners might find sitelen pona useful for memorizing words' meanings.
The Toki Pona logo (toki-pona) functions in sitelen pona as the language's name, toki pona, written as a combined glyph.
History
Since first appearing in Toki Pona: The Language of Good in 2014, many Tokiponists and communities have expanded sitelen pona, integrated it into general Toki Pona learning resources, and created fonts and text encoding schemes.
Glyphs
Original pu glyphs
The original edition of the book Toki Pona: The Language of Good (lipu pu) includes the following glyphs for each of its main 120 words.
Esperanto pu glyphs
Following the recommendations of the Toki Pona Dictionary, the Esperanto edition of lipu pu includes several additional glyphs that had already been established among sitelen pona users. Alternative glyphs for three nimi pu are presented as footnotes in the main section on sitelen pona, "Hieroglifoj" (Hieroglyphs), shown below in jan Pensa's handwriting.
Glyphs for nimi ku suli are presented in the appendix "Aldonaĵo: nimi ku suli pi pu ala".
Other glyphs
There are alternative glyphs for more of the aforementioned words than those presented in the Esperanto edition of Toki Pona: The Language of Good. Some of the words have multiple notable alternatives. Tokiponists have also created glyphs for many nimi sin.
Radicals
Many sitelen pona glyphs have shapes in common, which have been analyzed as "radicals".
Punctuation
Use of punctuation in sitelen pona is not officially defined. In general, the main use of punctuation is to mark the boundary between sentences. Most people use only a sentence boundary mark, and some will use a form of quotation marking.
Using Latin-script punctuation, as in English, can cause confusion. The question mark (?) and seme (seme) are homoglyphs, and the exclamation point (!) resembles the glyphs for a (a), kin (kin), and o (o). In fact, these words largely make these punctuation marks redundant.
Sentence boundaries
The only full sitelen pona sentence in pu, seen below, is written with no ending punctuation. This style can extend to multiple sentences. The end of a sentence can be indicated by simply adding a space, or starting the next sentence on a separate line (as used in su).
ma [kasi alasa nasin awen telo a] li sulima Kanata li suli.
Canada is huge.
Some speakers use explicit sentence-ending punctuation. The most common choices are a Latin-style period (.), the middle dot (·), and a CJK-style circular period (。). A common argument for the middle dot is that sitelen pona is typically written centered around a midline, rather than a baseline. nasin sitelen kalama also uses the middle dot inside cartouches.
Question marks
A question mark is largely unnecessary. Most standard questions are already marked with seme (seme) or the pattern X ala X. Due to the glyph for seme, using a Latin-style question mark in sitelen pona causes confusion rather than solving any, and is considered bad style.
A dedicated question mark would only be needed to clarify whether the phrase X anu X marks a statement or question. However, the majority of proficient speakers nowadays refrain from using this construction, so that all questions are explicitly marked in all modalities of speech.
Since some fonts stretch the glyph for seme to fill a fullwidth character space, there is a misconception that it looks wider or more stylized than a question mark. This can result in juxtaposing the glyph in 2 widths (so that seme? looks similar to ??). In reality, seme looks just like a normal question mark in Sonja Lang's handwriting, and many other fonts follow suit.
Colons
Similar to the Latin script, colons are frequently used in sitelen pona. A colon can be written centered between the words on either side (ijo:: ijo), or closer to the word on its left (ijo: ijo).
Some people use a right-facing ni (ni2) to avoid the need for colons. For example, below are three different ways to write the sentence mi wile e ni: sina pilin pona.
mi wile e ni:: sina pilin-pona
mi wile e ni2:: sina pilin-pona
mi wile e ni2 sina pilin-pona
nasin sitelen kalama also uses the colon inside cartouches.
Quotation marks
For marking quoted text, Latin-style quotation marks are commonly used, but corner brackets (te to) are widespread, being symmetrical around the midline. These glyphs are also used for the quotative nimi sin, te and to. It may be unclear whether to read them as words or punctuation. However, when used as punctuation, a reader may interpret them as te and to without misunderstanding the author's intent.
Word spaces
Several fonts with ASCII transcription expose a ligature using the string zz
to produce a glyph-sized space character, for cases where the author wants the text to be visually indented or separated. This is best rendered using the ideographic space ( ) instead. This is especially important for people who use screen readers, which will read "zz" out loud rather than silently skipping over it.
An alternative may be typing a double space, which is even more common in fonts to get a word-sized space. However, this can cause problems on websites, because HTML condenses whitespace.
Combined glyphs
![](https://upload.wikimedia.org/wikipedia/commons/thumb/a/a1/Toki_Pona_sitelen_pona_examples.png/300px-Toki_Pona_sitelen_pona_examples.png)
The glyph of a head word may be combined with the glyph of one modifier. These are called combined glyphs[3] or compound glyphs. There are 2 main ways of doing this:
- Stacked: The modifier glyph goes above the head glyph. kala lili becomes kala^lili.
- Scaled: The modifier glyph goes inside of the head glyph. kala lili becomes kala*lili. To allow for scalar combination, the head glyph generally must contain a single, sufficiently large, main negative space.
Extended glyphs
An extended form of the word pi (pi) is very common. The low horizontal line continues under all glyphs in the pi phrase (pi (ijo ijo)). Other characters such as prepositions are sometimes also extended in this way.
Names
Cartouches
![](https://upload.wikimedia.org/wikipedia/commons/thumb/b/b1/Toki_Pona_sitelen_pona_kanata.png/300px-Toki_Pona_sitelen_pona_kanata.png)
Names are written inside a rectangle shape called a cartouche similar to acronyms, inspired by Egyptian hieroglyphs. Within a cartouche, the first phoneme of the corresponding word is read, each then strung together to form the name. While any word may be used, specific glyphs may be chosen to reflect the meaning or associations of the name. The choice of words is left up to the preference of the entity being named or, otherwise, the author of the text.
In the book The Wonderful Wizard of Oz (Toki Pona edition), names after the first usage are abbreviated using only the first syllable of the word. For example, Dorothy's name, jan Towasi, may be spelled either as jan [tomo olin wile alasa suwi ijo or, implied, as jan [tomo].
There is also a nonstandard but fairly common extended system for writing cartouches using syllables or morae, called nasin sitelen kalama.
Name glyphs
Some people design custom sitelen pona glyphs for their names. Like the glyphs for common words, most of these do not indicate pronunciation.
Flexible glyphs
Many sitelen pona characters are not static, and aren't supposed to be drawn the same way every time.
- akesi, pipi, soweli (akesi pipi soweli)
- The amount of legs is sometimes reduced, especially in combined glyphs to reduce glyph density.
- jaki (jaki)
- Any scribble, usually in a single stroke dense with overlaps and (mostly) curvy lines. For example, scribbles submitted by community members to be added to linja lipamanka:
- ko (ko)
- Any blobby closed shape. For example, blobby closed shapes submitted by community members to be added to linja lipamanka:
- ku (ku)
- The symbol representing Toki Pona on the cover of lipu ku can range anywhere from a simple dot to a full Toki Pona symbol.
- lete, kin (lete kin)
- The rotation of the asterisk shape is not important. In some cases it may be written with four intersecting lines instead of three, and in kin some people reduce the asterisk to an X shape.
- linja, kon, telo, pakala, mun (linja kon telo pakala mun)
- May be mirrored.
- ni (ni)
- May point to the part of the text that ni is referencing; left, up, right, down (← ↑ → ↓), or other directions, instead of the standard downwards arrow. In handwriting, it may be drawn in an extended manner, pointing toward the relevant reference. A right-facing arrow (ni>) is often used in linking ni statements. It may also be extended horizontally (ni>(--) ni<(--)).
Alternative glyphs
For various reasons, people have designed new glyphs for words that already have them. The Esperanto edition of Toki Pona: The Language of Good includes drawings of some of these.
In many sitelen pona fonts with ASCII transcription, alternative glyphs can be typed by appending a number to the end of a word, such as kala1
. The default variants and list of supported alternative glyphs are not consistent between fonts, so this is not a consistent method to identify glyph variants. The added numbers may also interfere with screen readers.
Word | sitelen pona | Notes | Included in pu Epelanto? | |
---|---|---|---|---|
Main | Alt. | |||
a | a | a | Diagonal punctuation stem | |
kin | kin | kin | ||
n | n | n | ||
o | o | o | ||
akesi | akesi | akesi | Only 2 strokes for legs. | ![]() |
epiku | epiku | epiku |
Main: pona with emitters. | |
jaki | jaki | May be any scribble. Four different variations are included in the Esperanto translation of lipu pu. | ![]() | |
kala | kala | kala | Two dots for eyes to match the other animal glyphs. | |
kokosila | kokosila | kokosila |
Main: toki with diagonal slash. Obsolete:[i] Star, representing the Verda Stelo. | |
lanpan | lanpan | lanpan | Obsolete:[i] Turned pana. | |
lanpan2 |
Main: Top end has a circle representing a head, similarly jo. | |||
majuna | majuna | majuna |
Main: Turned sin. | |
meli | meli | meli | Derived from the planetary gender symbols, possibly by analogy with tonsi (from the transgender symbol). These alternatives avoid physical stereotypes. Uncommon due to gendern't philosophy, which avoids meli and mije regardless of glyph choice. | |
mije | mije | mije | ||
meso | meso | meso |
Main: 2 vertical lines with dot between. | |
mi | mi | mi | Curved finger stroke. | |
ona | ona | ona | ||
sina | sina | sina | ||
moli | moli | moli | Low line for mouth instead of circle for head. Often used in pixelated fonts due to space constraints. | |
namako | namako | namako |
Main: sin with an extra ray below. |
![]() |
olin | olin | olin | pilin with emitters above | |
sewi | sewi | sewi | Uncommon: Turned anpa. Commonly called "secular sewi". | ![]() |
It has been suggested elsewhere to use other religious symbols, with the possible downside of being less legible.[4] | ||||
soko | soko | soko2 | The stem varies from a closed round rectangular shape to a vertical line, increasingly with a horizontal stroke for an annulus. The line variants are meant to avoid confusion with mama. | includes only ![]() |
soko | ||||
uta | uta | uta | Dotless. Can create ambiguity with moku (otherwise moku; here confusable with luka uta). However, this ambiguity is not more than that which already exists with pali and kepeken (normally read as ilo and kepeken respectively, but technically possible to read as luka ijo and luka ilo). | |
wile | wile | wile | Closed to become a turned heart or pilin. While the separation of the line endings varies in handwriting, this alternative is most likely influenced by sitelen pona pona (a font and derivative script). Most differences in sitelen pona pona are rejected by sitelen pona users, but some occasionally slip in when writers want to introduce oddities. |
Notes:
Fonts such as sitelen seli kiwen also support OpenType character variants and stylistic sets, which can be enabled:
- In Microsoft Word, in the Font dialog box → Advanced → Stylistic sets.
- In many versions of Word, the Font dialog box is directly accessed from the Ribbon → Home tab → Font group, in the lower right corner.
- In other recent versions, you can use Tell me → search for "Font Settings".
- In CSS, with the
font-feature-settings
property.[5]
Mirrored glyphs
sitelen pona is uncommonly written from right to left. There is no set practice for doing so. Some speakers recommend that all glyphs should be mirrored vertically, so that, for example, the glyph for soweli (soweli) faces left (soweli).
linja sike includes experimental mirrored glyphs for e, li, pi, tan (visually elipitan) at codepoints U+EC9B–U+EC9E.[6]
Text encoding
As of February 2024, there is no official Unicode support for sitelen pona. The Under-ConScript Unicode Registry (UCSUR), an unofficial registry for constructed languages, is used instead.
Sitelen Pona | ||||||||||||||||
0 | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | A | B | C | D | E | F | |
U+F190x | | | | | | | | | | | | | | | | |
U+F191x | | | | | | | | | | | | | | | | |
U+F192x | | | | | | | | | | | | | | | | |
U+F193x | | | | | | | | | | | | | | | | |
U+F194x | | | | | | | | | | | | | | | | |
U+F195x | | | | | | | | | | | | | | | | |
U+F196x | | | | | | | | | | | | | | | | |
U+F197x | | | | | | | | | | | | | | | | |
U+F198x | | | | | | | | | | |||||||
U+F199x | | | | | | | | | | | | | | | ||
U+F19Ax | | | | | ||||||||||||
U+F19Bx | ||||||||||||||||
U+F19Cx | ||||||||||||||||
U+F19Dx | ||||||||||||||||
U+F19Ex | ||||||||||||||||
U+F19Fx |
Resources
Learning resources
- o kama sona e sitelen pona, video series by musi lili
- o kama sona e sitelen pona kepeken sitelen
- sitelen pona - Toki Pona Hieroglyphics, Memrise course
- Toki Pona words sorted by usage frequency, Anki deck
Dictionaries
- lipu nimi pi toki pona taso, sitelen pona–only definitions (with pronunciation audio)
- Toki Pona Dictionary, sorted by glyph shape. Entries include sitelen Lasina. Definitions are not in Toki Pona.
Fonts
ijo Linku maintains a comprehensive list of all fonts.[7]
Fonts that support ASCII transcription ligatures can be used as a learning tool. If you type a supported word correctly, the font will turn it into a sitelen pona glyph. Building this connection between pronounceable sitelen Lasina spellings and visually meaningful sitelen pona ideographs can also help you memorize the meanings of words.
See also
Notes
References
- ↑ Lang, Sonja. (25 May 2014). Toki Pona: The Language of Good. Tawhid. ISBN 978-0978292300. OCLC 921253340. pp. 104–111.
- ↑ jan Tamalu. (Updated November 3, 2022). Results of the 2022 Toki Pona census. Toki Pona census, Github. Retrieved 6 November 2023.
The data regarding writing systems is quite similar to the last [2021] census. The only significant difference is that now 71% of people reported to at least know sitelen pona, while this figure was 61% before. This might be due to new better systems to write and interact with sitelen pona in different platforms and the ensuing new content created in sitelen pona. It is nice that so many people are learning sitelen pona. To put this number in perspective, more people report to know sitelen pona than people that report that they know 8 or more of the 17 Ku suli words.
- ↑ Lang, Sonja. (25 May 2014). Toki Pona: The Language of Good. Tawhid. ISBN 978-0978292300. OCLC 921253340. p. 110.
- ↑ soko weka [@vanapiton]. (12 June 2022). Informal poll in
#sona-kulupu
. ma pona pi toki pona. Discord. Retrieved 6 November 2023.Concerning the sitelen pona glyph for sewi, which of these (choose all that apply)... Option
(Multiple allowed)Votes
(n = 75)Do you like the usage of: Do you use in your nasin: Arabic sewi 73 72 Secular sewi 48 22 Other religious symbols 8 2 Other 2 3 - ↑ font-feature-settings. font-feature-settings. MDN Web Docs. Retrieved 7 November 2023.
- ↑ linja sike documentation. Google Docs. Retrieved 24 October 2023.
- ↑ fonts. Google Spreadsheets. Retrieved 21 October 2023.
Development and usage | jan Sonja · Toki Pona: The Language of Good (2014) · Tokiponidos · Software (Tools · Fonts) · suno pi toki pona · Toki Pona census · Toki Pona Dictionary (2021) · UCSUR · Linku · ISO 639-3 |
---|---|
Conventions | Phonology (Phonotactics) · Words (Tokiponization) · Grammar (Word order) · Social conventions · Writing systems (sitelen Lasina · sitelen pona · sitelen sitelen) · luka pona (sign language) · Number systems · Calendar systems · Styles (pu · pu-rism · ku · Nonstandard) |
Philosophy | Minimalism · Context · Circumlocution · Expression · Lexicalization · Multiple sentences · Comparisons |
Resources | Frequently asked questions · Courses · Dictionaries · Cheat sheets · Visual aids · Communities · Websites · Media |
pu | sitelen Lasina (Latin) · sitelen pona (sitelen-pona) · sitelen sitelen |
---|---|
Natlang | transliterationssitelen Kililisa (Cyrillic);sitelen Kana (Japanese);sitelen Anku (Hangul);sitelen Kansi (Chinese);sitelen Alapi (Arabic);sitelen Iwisi (Hebrew);sitelen Elina (Greek) |
Other | Toki Pona Script (dingbats) · sitelen pona pi jan Mimoku · ASCII syllabary · sitelen musi · sitelen ko (cuneiform) · sitelen telo · leko pona (3D) · sitelen mun (Gallifreyan) · nasin pi sitelen jelo (emoji) |
Features | Words · Combined glyphs · Extended glyphs · Radicals · nasin sitelen kalama (pi linja lili) |
---|---|
Usage | History · Literature · Fonts (Guidelines) · UCSUR · ASCII · Wakalito |